I don't buy this analogy and I think it takes a depressingly reductive view of creativity. In both cases, the photographers had to take the time to go to a place, see a view they thought was worth capturing, operated their equipment to get a shot, and then had enough discernment to recognize which of their final products were worth something. Both the traditional photographer and the modern photographer can create images of value in different ways.
If you want to shoehorn AI into this analogy at all then no one is even bothering going hiking at this point, let alone seeing anything worth capturing. It would just vomit up endless permutations of statistically average images that look like the kind of pictures people take of landscapes.
Well yeah and then you can be liberated by the fact that maybe getting to the landscape and experiencing it and not taking the photo was the goal all along.
You can be creative and take the photo for your sake but at the same time accept that you can generate 1000s of them and many of the generated ones will be more liked by the general public than your creative one.
However, for writing software with AI the analogy still works. Just as the photographer needs to pick a shot worth capturing, you have to figure out software worth building. That often also involves some leg work: you need to understand the problem and user needs. Then you need discernment to figure out where the software works well, and which parts need improvements
There used to be no such thing as a woodworker. It used to be a number of different professions, such as the jointer, the cabinet maker, the planer, etc. now with modern tools it’s merged into one job
But surely the reasons for that change are not "the invention of a free army of unpaid minterns."
Ex: Much-more furniture being sold are duplicates from a factory process; There are better tools—which do not substitute for executive function.
Here is why it works in more than one way:
In the past few could afford to be photographers due to time and money. Many were not the most artistic or talented minds in the universe on the subject (you can’t find those until you give everyone a camera) but just people who enjoyed it and could make money off of it. Those who gained experience with the old tech were essentially AI models trained on statistically good probabilities of getting good shot. You had smaller selection and the model / brain quality determined what % of
the best that photo was between 0 and 100% for any sunset. In modern days more people get a camera - more people with bad taste and more people with good taste. You also get more attempts at the shot - more photos taken, more tries. More tries means you are now preserving more of that moment from more angles and extending the time your taste people have to pick the best shot of all possible.
Your plethora of statistically average photos happen if you don’t have anyone filtering the ginormously increased output. If the problem is really valuable, someone will filter it. Possibly a model.
The real filter is value, not capability anymore. Do you have the empathy and taste to know what matters? The AI tokens/cost lets everyone make and become interested in making of someone hasn’t solved their problem. And then if search isn’t improved - everyone will just repeat the making of the same thing over and over. So if you don’t want repeated slop. fix search.
Or do you copy everything and everyone into making more of nothing.
"Those who gained experience with the old tech were essentially AI models trained on statistically good probabilities of getting good shot"
I am so glad I am not you. What a miserable way to live your life.
The tourist has another advantage over your photographer: experience. They have thousands of photographs to look at and thus get a better scene of what makes things good. That is if you took both to the same spot and gave them one photograph (the phone's memory is almost full) the tourist is likely to get the better shot because they have a better idea of when to pull the trigger having seen all the possibilities.
Really? The one who canonically doesn't consider lighting, depth of field, composition, etc... I can only speak from my own experience, but on average a typical person who doesn't consider themselves a photographer isn't going through the old photos on their phone and analyzing the quality and technique for future endeavors. They just want to send a fun picture to their friends and family. Nothing wrong with that, but it won't cultivate skill or lead to award-winning photography.
They don't think of those terms. However they generally are looking at their photos and so get a sense of what "looks nice" - which is what those terms are all getting at.
Now if you know and analyze your photos in those terms you can get good faster. There is no shortcut to the value of quantity.
What we have never done here is define how much effort the "professional" has put into getting better. I've known a lot over the years that know the terms and have the "best" equipment, but they just take a measurement and put it into the tools without understanding the whole and so take really bad pictures. They consider composition as a checklist - which works okay (only okay) in a studio when it means put the chair here - but they can't handle a sunset where they can't control the scene.
Award winning photography means get those details perfect. If you have the details right a phone is often more than good enough to take the right shot - and if it can take more photos faster than is worth a lot more than the best equipment limited to one shot (or a few) and hope that you get hit the shutter at the right moment. If you can get the right moment the better equipment is better, but that is one of the least important parts of the shot.
I am sure the tourist can take hundreds or thousands of photos, and have every single one of them turn out wrong.
It's not as if he was covering every combination possible of exposition, composition, depth of field, shutter speed etc. The tourist doesn't even know the existence of those settings.
>them turn out wrong.
Define wrong in this case.
I mean there are some obvious examples of a photo just being all black or all white. There are things so blurry that you can't identify the subject matter. But in between these extremes exist matters of preference and taste and everything goes subjective as hell. There are very few rights and wrongs here.
Look at the iPhone photography awards:
https://ippawards.com/winners/showcase
How many of these pictures do you think were just a lucky shot by someone clueless about photography just shooting hundreds of photos?
How many of these pictures could even be the result of just shooting at random thousands of photos?
> someone clueless about photography just shooting hundreds of photos?
That doesn't exist. The very act of taking hundreds of photos will give anybody a clue. They won't be able to pass a written test - they will have no clue what terms like "depth of field" mean - but they will start to apply the concepts in their photos without knowing the terms.
I suppose there is someone who takes hundreds of photos without ever looking at them and thus never starts to develop any sense of what is good. Likewise some people just have more taste than others and so will get better. However in the real world people are taking lots of photos and they are on the way becoming reasonably good.
Training alone will not make you a good photographer. Someone already skilled at this can help you look at your photos and understand why it "looks bad". However it takes hundreds - perhaps thousands of photos before you become an award winning photographer in the best case. While someone without training will need thousands of even tens of thousands - but these days a photo on an iphone is cheap enough that getting a thousand photos is not hard.
"look at this list of subjective things"
What is more interesting to me, the most beautiful photo of a sunset taken by an iPhone ever, or a mundane quality photo of my daughter taking her first steps?
This conversation is about who would take an award winning photo. It's not about how much you personally like photography.
Looking in the conversation chain I'm not seeing that point...
I really don't think so. A pro that knows all the ins and outs of working their camera for the perfect shot in the given conditions will do better than a one-off hope that the camera auto settings nail it. A professional literally spends their life framing shots, a tourist spams the shutter hoping one turns out and crops/filters/AI enhances their way from the best of the bunch to whatever will get likes from their family. No contest for a single exposure: the pro knows what they're doing, the tourist doesn't.
This analogy seems strained to me.
The credulous LLM users Dan Luu is complaining about don't take the equivalent of thousands of photos of the same sunset. They take a couple photos at most, say "LGTM", and move on to taking a photo of something else, even if their couple of photos of the sunset aren't great.
As someone who will often compare different things, I think doing that usually takes time. I think LLMs can help reduce the time (especially if it's programming, not necessarily so much in other areas), but I'm not seeing many people use LLMs to try a large number of independent approaches and compare them.
> The thinking guy with the one approach will likely lose a photo competition to one of the accidentally better shots of the person who tried a lot more.
If that were the case then photo competitions would have been upended by now by tourists who accidentally took masterpieces with their phones.
I can take as many thousands of pictures as I want but, without taking the time to critically review them to see what works and what doesn't, I will rarely produce a prize-worthy picture. And then there's the risk that I'll discard it anyway because I don't have the eye to separate the prize-winning picture from the Instagram shot all my contacts are publishing.
I think this analogy works with respect to stuff like coding, engineering, etc, where the AI is capable of validating the success of its own efforts and where the result just has to "work", regardless of its elegance or aesthetic quality.
I also think the analogy works if we're talking about average photographs, or even very good photographs, that are conventionally well-composed, balanced, etc, but lack the special spark that we associate with true art.
But if the photographer on the hill is a real artist, it's hard for me to imagine a current frontier LLM winning the contest. I suppose it may stumble upon a winning photo sooner than a roomful of monkeys would, but I believe the number of attempts would still be so vast that it would be more efficient for the human to make one single attempt at taking a photo, rather than dealing with prompts and sorting through the millions of AI-generated options.
EDIT: I also think it's very easy to underestimate the size of the nearly limitless set of possible "solutions" to the photograph, and also easy to overlook the constant feedback loop in the artist's mind as he considers each option and looks through the viewfinder, while the LLM is shooting blind the entire time.
Even in the late 19th century "bracketing" was already a photographic technique where a photographer would take several shots of the same subject from various angles and with various settings. Digital cameras may make this faster and cheaper, but the one who employs thoughtful practices in their photography is far more likely to win that competition than the one who just (to paraphrase your example) spins to win.
Maybe so, but for the good shots by the thinking guy, I suspect he would derive longer term emotional gratification from how well they came out. Effort and investment adds to the experience.
Making things easy is good as long as it is not too easy, then it's Spotify muzak.
The real question is who can sell their photos and for how much profit. Even muzak has its market of satisfied customers.
Of course "manual" programming can always be a hobby that provides emotional gratification, but that's not what dominates the economy.
>That’s what AI does.
Except it sometimes shows you a photo of something completely different than what you're looking at for or alters the landscape to "improve" it. Maybe that's not a good analogy.
Those are the equivalent of bad photos. The point is that you can easily look at it and just try again.
You are a god. You step on the puny human and create a thousand sunsets. Maybe the photographer wasn't needed in the first place.
Hell yea, I want this power.
Sorry, we're not working to make people better, we're busy trying to build a god to stand over us.
Who is this "we're" you're talking about, because I see shitloads of powerseeking people that would build a god in a heartbeat if they could stand on its right-hand side.
Humanity is a rather fragmented bunch.
This ignores the reality that many people are, unfortunately, taking that one iPhone picture, sending it to everyone in their contacts list as if it’s art, and then moving on to the next slop shoot.
And like, that's transformed human interaction? I like following my friends' stories and receiving quotidian snaps of my nephews.
That's the point of the analogy, not that people are passing it off "as if it's art."
Once upon a time, in Switzerland, there was a "chronometry contest" putting the best watchmakers of Switzerland against each other to make the most accurate mechanical watch and have it certified by the observatory of Neuchâtel (observatories were at the time the entities in charge of giving the most accurate time, based on reference star observations).
It worked for a time, and manufactures employed experienced, legendary even, watchmakers and specialized "watch setters" to create and tune to the best possible extent a few experimental watch movements. They would be sold as collection pieces, the firm would gain boasting rights in its advertising, and the experience informed the design and tuning of more mainline movements.
By the end of the history of (the revival* of) this concours, the winner was always Tissot, a second-rate company. What hides behind Tissot is ETA, a huge watch movement manufacturer for all of the Swatch group (dozens of brands, from Omega to the worst no-name stuff you can find).
What they were doing to win was just to pick the best watch movements out of the millions of basic, bland, uninteresting "workhorse" ones they were producing each year. Just by chance, there was always one combination of the hundreds of components, each with their manufacturing tolerances and variations, that would fit all together to make an exceptionally accurate movement.
In the end, yes, Tissot won repeatedly. But the concours is dead. And Tissot is still a second-rate brand making second rate watches. Nobody is interested by their watch movements, no collector, no historian, no customer.
And how do you get a person able to nail "that one shot" when the moment is fleeting? Your "tourist" is unable to do it, because he never put any deliberate practice in photography.
Incidentally, analog film photography is having a huge revival, and Instax is still Fujifilm's best seller. Maybe there is something missing from "I did an award-winning photo but I have have no clue how, lol".
Is there anybody here who wants to have their portrait taken by the "tourist"? Is there anyone here who would prompt an AI to generate their portrait, apart from Ghibli-style remixes (which are funny five minutes, and stale a month later)?
Fuji also sells an Instax printer so you can "print your smartphone images in seconds."
https://www.instax.com/printer/
Also the AI powered instax Up! app...
Have even more fun with the instax UP!™ app.
With the introduction of AI, you can now scan an instax™ photo regardless of the background or angle, or even in your hand.
Well now the phones actually take a video over a period of time so you can pick the best shot.
But a better analogy is how we hired a guy to take photos of us in front of the Eiffel tower on Christmas day. He came with a DSLR, directed the different poses, then sent us the photos later that day. Whole thing took less than 20 minutes.
It's the fact that the floor has been lowered so substantially.
Of course every modernized, automated craft ends up having its hobbyist revival. Whether it's analog photography, hand tool woodworking, knitting, assembly programming, or whatever. And that's lovely, but it doesn't mean much for economic trends.
That's an interesting analogy, because there's still a spectrum. Photography's big advancement was the move to digital. Prior to that, you had to know what an F stop is, different developer chemicals, manual focus. These days, yes, an iPhone is actually quite good at taking pictures. Apple invested billions for that to happen, it wasn't an accident. SLR cameras are still there though, you still have wedding photographers. You don't have the mall photographer for once a year photoshoots so much anymore, however. Everyone just takes pictures everywhere as they need. Software is the same now. I need a program to do a thing, I'll just have AI whip one up instead of looking for software that does something that but has 100 more features I don't need. Gone are the days where customers would come to the mall to get photos done and buy software. (Though that world's been gone for a while.) Software is now only a means to an end, so better find the customers that have needs and embed with them instead of having them look for Photoshop.