altairprime
a day ago
This is thematically amazing when you consider what the song is about — the roboticization of the abducted band. (Music video:)
In this song, which is also chapter four of the movie Interstella 5000 movie (spoilers from here!), the knocked-out singers are scanned, parameterized, brainwashed, uploaded into The Matrix, and then used in the following songs of the movie-album to robotically mass produce music.
It makes perfect sense that the BPM is 123.45 because that’s exactly the sort of thing you get when a manager (who’s shown at the end!) just enters some numbers on the keyboard into the bpm field. They don’t keysmash the numpad; they just hit 123456789 until the field is full!
So not only does the song itself convey what some boss thinks is music, robotically beating at 123.45 bpm, but it is itself about being endlessly-rotating brainwashed-boring cogs in a pop music production industrial machine. I’m pretty sure the movie scene cuts and animations are timed specifically to the beats of the song, but knowing that they’re timed to a machine-specific bpm that a human would never select at random with a metronome?
Absolute genius.
I had no idea. Thanks for posting this.
EDIT: At 123.4567bpm, I think the track has precisely 0.2345 seconds of silence before the first 'beat' of the song and actually has 456 beats total, which is either numerological nonsense or pure genius by Daft Punk. Math elsethread :)
jrowen
16 hours ago
> It makes perfect sense that the BPM is 123.45 because that’s exactly the sort of thing you get when a manager (who’s shown at the end!) just enters some numbers on the keyboard into the bpm field. They don’t keysmash the numpad; they just hit 123456789 until the field is full!
This seems like quite an assumption. Why wouldn't they keysmash? Or make up a fake number? And why bother to add a decimal point? What is meant by "robotically beating at 123.45 bpm"? Any fixed tempo beats robotically.
Your theory could be correct but it feels like connecting too many dots to me. 123.45 is a bizarre (and kind of human in that way) tempo that strikes me as more of a cheeky easter egg than a deeper connection to themes of corporate mass-produced roboticism (if they even did intend that as the exact tempo).
altairprime
15 hours ago
I have no counter argument prepared, but I thoroughly enjoyed exploring this all and making plausibly charming numbers. Most likely I’m wrong, of course; that’s an automatic likelihood for any numerology.
iambateman
8 hours ago
I’d say this whole thread is a counter argument. ;)
Couldn’t resist the dad joke. In any case I was enjoying you enjoying DP
richrichardsson
9 hours ago
> And why bother to add a decimal point?
Perhaps they wouldn't need to? iirc Modern MPC you can enter 12345 on the BPM touch entry field and it will fill that in as 123.45
yujzgzc
9 hours ago
TFA mentions that some sequencers at the time did not support generating at more than one decimal place
richrichardsson
9 hours ago
It's unlikely (but not impossible) that Logic would take 12345 input and insert the decimal automatically. The point was that adding the decimal point may not be necessary, especially in software with specific constraints; all sequencers I've come across have BPM ranges (typically 30-300) it's not too much of a stretch to think they could try to "intelligently" convert something that out of range rather than just clamping.
troll_v_bridge
12 hours ago
> What is meant by "robotically beating at 123.45 bpm"? Any fixed tempo beats robotically.
While a robot can keep beat at 123, most humans can’t keep 123.45. Art doesn’t have to make logical sense.
Someone
8 hours ago
> While a robot can keep beat at 123, most humans can’t keep 123.45.
Isn’t it also true that while a robot can keep beat at 123.45, most humans can’t keep 123?
Apart from training, there isn’t anything that links human biology and psychology with the length of a second, is there?
Zardoz84
10 hours ago
how many times we saw the password "admin1234" or "1234" ?
rightbyte
21 hours ago
It surely adds a nice flavor to one of their best songs. There wont be one time when the song is played from now on where I wont proclaim the this specific trivia.
lwhi
12 hours ago
The whole song is effectively a remix of "Cola Bottle Baby" by Edwin Birdsong.
dudeinjapan
9 hours ago
Compared to Cola Bottle Baby it’s harder, better, faster, and some would even say stronger.
larodi
12 hours ago
how about the track was 123 and they squeezed it to be within certain length, which defnitely would bring the BPM a little higher?
nkmnz
11 hours ago
And they accidentally made it 1.003713731707 times faster? They chose a number that contains only the digits 0, 1, 3, and 7? C'mon, this cannot be a coincidence!!!
monster_truck
an hour ago
It's a good thing we're jumping to conclusions instead of exhaustively evaluating all of the places values exactly like this one appear when dealing with swing and quantization on, and especially when mixing 8, 12, 16 bit samplers and sequencers. Nevermind all of the little nudges from byte window mismatches when reading, playing back, or manipulating samples at varying bit depths and sample rates.
manytimesaway
19 hours ago
The record was released way before the movie, so no this is not the song's theme.
hnlmorg
9 hours ago
Are you sure about that? The music video was the scenes from the movie.
The impression I got as a Daft Punk fan in the 90s was that the movie was commissioned alongside the production of the album and not an afterthought.
The album was released after a couple of singles (iirc) but that’s very typical for artists to do. So it would make sense for the movie to also be released after the singles, even though it was already (mostly) completed.
Edit: seems my memory is largely correct. The movie was always a planned part of the album.
https://en.wikipedia.org/wiki/Interstella_5555:_The_5tory_of...
ffsm8
19 hours ago
Urm, the release date of the movie is not actually an indicator wherever what he said was true or not.
It's more then likely the backstory he outlined, which is I believe a minor subplot non-essential to the main story of the movie - has been added like this precisely because that was the theme of the song.
Because this was actually made by humans, they frequently talk with each other when making art in collaboration
manytimesaway
18 hours ago
This particular sequence in the movie (which is actually named Interstella 5555) is one of the most important ones in the plot.
Discovery has been explained many times by DP to be about childhood, not having any specific "theme" besides mixing disco and rock. Hence the name "disco very" and the "pun" in Veridis Quo. (which also happens to be a major sequence in the movie. Although DP never cared to enter the details of that particular composition, most likely memory hole'd by the protagonists.)
So no, this is definitely not the theme of the song. There are several years between the actual songwriting and the release of the movie. Heck, if you actually see the movie, the ending sequence kinda explains that this is "one" of many interpretations of the record...
Taking a look at past interviews, it is more likely that 5555 is about what surrounded the actual release of Discovery (hugely anticipated sequel to a magnum opus that was wildly different from expectations) rather than an idea that was here from the start; see also Human After All for a continuation on this theme.
maest
15 hours ago
> the "pun" in Veridis Quo
I can't believe I've only just learned about this
altairprime
16 hours ago
Aw :(