EdwardCoffin
2 hours ago
This is not the first time I've read articles attempting to paint the Culture as a dystopia. I think the best counter is to quote the author's own words, describing how he felt about it, from an interview he did with CNN [1]:
CNN: Would you like to live in the Culture [the society he has created]?
Iain M. Banks: Good grief yes, heck, yeah, oh it's my secular heaven ... Yes, I would, absolutely. Again it comes down to wish fulfillment. I haven't done a study and taken lots of replies across a cross-section of humanity to find out what would be their personal utopia. It's mine, I thought of it, and I'm going home with it -- absolutely, it's great.
[1] https://edition.cnn.com/2008/TECH/space/05/15/iain.banks/ind...
cplanas
18 minutes ago
That quote from Banks only tells us that The Culture is his personal utopia. Fair enough, but Banks does not have authority over interpretations on his work. One man's heaven is another man's hell.
dingnuts
7 minutes ago
exactly; in fact I encountered that quote years ago, shortly after reading Player of Games and Consider Phlebas and found it so shocking, and annoying, that he intends the Culture to be actual Heaven and not a criticism of how certain utopic ideas can be perverse (which I would have found far more compelling, since the Culture is horrifying to me in various ways), that I stopped reading the rest of the series.
The reframing of the Culture as his ideal society turns the whole series into boring political propaganda, in a way, like a very long leftist version of Atlas Shrugged
fucking snore
Barrin92
13 minutes ago
That's arguably the worst argument given that the author has no special authority over the interpretation of the work. Heinlein with his increasingly militaristic views wrote Starship Troopers as a sincere story, but Paul Verhoeven showed quite compellingly that it might make for better satire.
falcor84
7 minutes ago
That's actually an ironic example, seeing how so many (maybe most) viewers took the intended satire at face value, essentially looping all the way back to Heinlein's intent.