I caught up with some science fiction this year.
The Murderbot diaries books by Martha Wells - 6/10. Mixed on these. They're fun to read. The setting is cool and the worldbuilding is shallow but effective (i.e., don't read it if you want game of thrones in space). Each novella takes an afternoon to read. I think "snarky violent droid" is overcooked these days and lost interest after book 5.
Light by M. John Harrison - 7/10 excellent prose; great multiple-storyline plot; the journey was better than the destination, but it kept me thinking
Far from the Light of Heaven by Tade Thompson - 7/10 Fun. If "near future Nigerian/British post-colonial frontier action with guns, robots, and psychic aliens" sounds cool to you, check it out. I liked his Rosewater Trilogy just as much.
Blindsight and Echopraxia by Peter Watts - tough to rate these. brilliant ideas, VERY challenging plots. I wish I didn't get so confused by the end of each book.
Project Hail Mary by Andy Weir - 6/10 - this and the Martian read like blog posts pasted together. The grand dilemma is spelled out on page one and never gets any deeper. Pro: the plot is in your face on every page and you will never be confused when reading; Con - there is zero internal character development. Read if you like stories driven by applied science, not comparative moral decision-making.
The City and the City by China Miéville - 9/10 - you will invariably see something like "Kafka meets [some affected crime novelist] to describe this book, and that ain't wrong. Kind of SF, kind of fantasy.
Railsea by China Miéville - 8/10 - great good vs evil YA SF about, well, imagine if trains were like boats. Good character writing, tight plot.
The Windup Girl by Paolo Bacigalupi - 8/10 - loved this. More "realist" near-future fabulism than Gibson, but if you love cyberpunk, read this.
The Shipbreaker Triology by Paolo Bacigalupi - 6/10 - near-future YA science fiction with a lot of blood and guns. Pretty good stories.
Roadside Picnic by the Strugatsky brothers - 9/10 - reread. I had to go back. This gets a near perfect score because of its style, setting, and plot.
The Sprawl Trilogy (Neuromancer, Count Zero, Mona Lisa Overdrive) by William Gibson - 9/10 - I had read Neuromancer 3 times but never the next two. I was pleasantly surprised to find the second and third novel easier to read* but just as enjoyable as Neuromancer.
The Bridge trilogy by William Gibson - 8/10 so far. I am in the second book. Can't believe I slept on these for the last couple decades.
non-SF:
Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991 by Michael Azerrad - 9/10 - if you like punk/hardcore from the 80s, this is a great read.
* Every time I read Neuromancer, Gibson's literary footguns --holograms, false memories, hallucinations, and drug-addled unreality--make me feel crazy for not being able to follow the plot at times. I'm okay with believing that was the intended effect.