The X-Files Game

80 pointsposted a year ago
by thurnderbong
(filfre.net)

36 Comments

sleepybrett

a year ago

I worked for the game studio as an intern in the lead up to them making this game. They had a few games in the can already that used this kind of game pattern (quantum gate, QG2: vortex) .. while I was around they were producing their own engine to build their next game which eventually became the xfiles. They kept the lights on doing a bunch of random CDROM industry work (cd rom magazines, educational stuff, etc) We did shoot another 'short game' that was a pitch for the xfiles.

paulryanrogers

a year ago

What was it like working there? Any interesting stories from the experience?

patchymcnoodles

a year ago

That was a fantastic read. My best friend back in school had this game and I played it several times during school holiday. As described in the article, it felt like an actual episode of the X-Files. Had an interesting packaging as well because of the 7 CD's it included.

If I remember correctly, it did have a showstopper in, not sure if intentional or not. At the very beginning, when the reporter asked you for information, and you don't give any ... later in the game (in the ship) when you need her help, the game just can't go forward. And you have no idea why, because nobody tells you.

This is so stuck in my head as a very bad design choice, if it was intentional.

mh-

a year ago

I feel like 90s PC games were filled with things like this. Stuff that would be probably day one patches in the following decade, but that (of course) wasn't a thing then.

I remember at least two of the Police Quest games having similar breakage, where you just couldn't go forward after putting 20+ hours into the game, because of a choice you made early on.

minikomi

a year ago

There's definitely a Space Quest game where if you kiss an alien early on there's a non-escapable death by stomach-bursting right near the end.. bummer if you saved after the kiss (I did).

Agingcoder

a year ago

I think that was fairly common with sierra games, happened a lot less with Lucas ones.

selcuka

a year ago

There was even a gag about it in the Curse of Monkey Island (Lucas) where your character (Guybrush) seemingly dies and credits start to roll, but the narrator recognises that it is not a Sierra game, credits start rolling backwards and the game resumes.

tiltowait

a year ago

While frustrating, obtuse, absurd, and a plethora of other adjectives aside, those (early, at least) Sierra games had the benefit of being pretty short. If you screwed yourself because you walked over the bridge one time extra in King’s Quest 2, a restart only cost you somewhere in the neighborhood of half an hour. (I’m not sure about later games, though. Maybe they were worse?)

xirdstl

a year ago

Could almost call it a staple of Sierra games.

stavros

a year ago

That seems like a horrible design choice, though. It just randomly and gratuitously punishes the player for something they couldn't even have foreseen.

ethbr1

a year ago

It was (for modern games), and it wasn't (for games of the time).

Given media storage capacity and computational limits, a lack of internet, and the scheduling dictates of boxed software...

I remember playing games much longer, before the next one was available.

Consequently, design choices that seem sadistic now were part of the replayability.

In the same way that shmups, bullet hell, and insane platformers (and more recently *Souls) all have their own fanbases.

stavros

a year ago

It's not the same. I still remember playing Grim Fandango all the way to one scene before the end, getting hit by a bug that meant I couldn't trigger the final scene, thinking "fuck this" and quitting.

I never did finish the game, even though it was the only game I'd have in a few months. Injustice is injustice, and players resent it.

ethbr1

a year ago

It's worth distinguishing bugs from intentional design.

The latter at least had a different flavor of "Well, I shouldn't have done that." Even if unknowable at the time of choice.

Itself probably a legacy of sadistic DnD DMing, where players survived despite the odds.

Though I too remember quite a few games having out-and-out bugs that locked their primitive progression state machines.

stavros

a year ago

Did Sierra games explain their reasoning? Was it "well, you didn't give me information when we first met two years ago, so I won't tell you who my boss is now", or was it indistinguishable from a bug?

ethbr1

a year ago

From memory, and it's been a few years, Sierra games had both bugs and severe plot-related consequences.

Usually of the "This thing happened because you did / didn't do that thing" format.

E.g. the infamous bomb detonating your police car, if you didn't first walk around it to complete an inspection (something no one would have thought of the first time) or the myriad of ways to arbitrarily die in Kings Quest by walking onto the wrong screen

If you played Sierra adventure games... that was just part of the schtick tho.

sillywalk

a year ago

> Given media storage capacity

I wonder what percentage of that was given to death scenes in Sierra games? In e.g. Space Quest 3, there were a lot of gruesome, unexpected ways to die.

ethbr1

a year ago

I meant it from the perspective that games had to be made longer (in terms of playthrough) without using more bytes.

And killing the player and making them replay the game adds a LOT of playtime.

Also, and probably more importantly, I feel like gamers' attention spans and tolerance for bullshit was higher. We mostly played games because we were bored. If not {game}, then what?

We didn't have access to the everything, whenever, wherever post-mobile-internet, on-demand world. The web was slow, static, and sucked for ~1980-2005. (Flash was a poor substitute for real games)

That's a fascinating question though... how much disk space did death scenes take up?!

I know in Another World it's non-negligible. :D

glimshe

a year ago

It didn't happen at all after the first couple Lucas Arts game. The made it impossible to get stuck as a design principle.

wingspar

a year ago

A perfect imitation of real life…

bzzzt

a year ago

Many of the Sierra contemporary games including the 'interactive fiction' that inspired them had sudden deaths, dead ends or living dead scenarios, mostly to pad play time probably.

a_bonobo

a year ago

You just unlocked a memory for me - I distinctly remember playing this with my friend on his computer and we were just completely stuck at the ship, with no way forward. We must have missed the reporter!

drooopy

a year ago

Searching for that bullet in the warehouse was an absolute nightmare during my first playthrough.

boogieray99

a year ago

Having own this game, a little tidbit is that while the playstation release loads on the ps2 the graphics are gabled at least on the pal version. I only got it to play on the OG psx console.

ChrisArchitect

a year ago

Title is: The Truth Is Out There, Part 3: The Game of Belief

user

a year ago

[deleted]

drooopy

a year ago

People like to crap all over this game, for a good reason perhaps. But man they absolutely nailed the X-Files atmosphere and aesthetics of the Vancouver era of the show (S1-S5).

Also, RIP Jordan Lee Williams, aka Agent Craig Willmore.

aaronbrethorst

a year ago

Unrelated to the article, what’s the deal with the submitter, who seems to want to give the impression that they’re https://news.ycombinator.com/user?id=thunderbong cc dang

googledocsftw

a year ago

What do you mean? Maybe they changed their profile since your comment but it just has a .at.hn address which everyone has (at.hn is independently operated outside of yc).

user

a year ago

[deleted]